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Vitriol

by George Hrab

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1.
MONKEY HIP DYSPLASIA fill it out fill it out fill it “water go” fill it out Take my Byoolik on the Magic Deegan fill it out fill it out fill it “noodle stay” fill it out Poostih na Monkey
2.
Speak To You 05:22
SPEAK TO YOU you tell me he’s okay, but I’m not sure just what that means you search for things to say you gauge reactions to fit your schemes I thought you said he was a younger man now you change your song it seems that details aren’t in your plan some remember the right I remember the wrong why would he only speak to you why would he choose to tell you things that only I should hear why would he say those things that aren’t true why would he only speak to you you tell me she’s alright convince me she’s always standing near she’s with me every night saying the words you think I want to hear I tell you it doesn’t make a lot of sense you continue on your ride I prove you wrong but you just take offense you tell me she’s doing well I tell you she’s still alive why would she only speak to you why would she choose to tell you things that only I should hear why would she say those things that aren’t true why would she only speak to you I don’t see what you see I don’t think like you think I don’t search for answers where I know they won’t be found I don’t hear like you hear I don’t dream like you dream I don’t think you realize the damage you have done I don’t want what you want I won’t cry like you cry I’m content to live with memories inside my mind so what’s the point of this I don’t feel better, I feel worse I’ve received your poison kiss your lips don’t quench my mind’s thirst you say that I’m just not accepting you, I say it isn’t so your logic doesn’t seem to carry through you say to heal we hold on but to heal I’m letting go why would they only speak to you why would they choose to tell you things that only I should hear why would they say those things that aren’t true why would they only speak to you
3.
Shoe 04:33
SHOE Scrambled eggs and scrambled minds lead to scrambled rules and scrambled times the finger points with no affection and blame is cast by mere suggestion yet quicker than the forest burns to their surprise the table turns what once was cast in my direction now smiles back from their reflection they slap the tape across the mouth and speak of filth from north and south not seeing past the next day’s news they only win, they never lose but winds can blow from any vector no one can beat this lie detector a ship of drools with each one denser won’t smell the stench from their own censer fuck you - it’s on the other foot now shoe enough fuck you - it’s on the other foot now this censored ship will surely sink if you don’t take a pause and think about the bullshit that you drink mouthful of bull will make breath stink but you’re too big with too much nerve you disregard the sharpest curve and act shocked when your bodies swerve what comes around’s what you deserve fuck you a broken band no one wants to join it’s hard to flip this two-faced coin with sleepy eyes they hit the sack and cash checks that they can’t pay back but life it can be quite a pitch you have to watch rotating stitch what once was tossed with real affection now gets thrown up by gag reflection the memories that make me sick I joined your club and got beat with stick I got straight face talk with un-moving lip I rearranged the chairs on your sinking ship now you cough and hack in a humorless spasm no bricks can fill this deep sar-chasm the book slams shut with lessons learned the other foot always gets its turn fuck you can’t say enough, can’t say enough think about the shoe think about the shoe
4.
Irk 04:31
Instrumental
5.
Nun 04:18
I WANT A NUN I don’t want a pretty woman blondes just ain’t my thing I don’t want some hot dancer even if she can sing I don’t want a pretty woman with a skirt above her knee I just want a penguin chick to play with my rosaries I want a nun, I want a nun I want a nun that I can keep and take a habit I would never break I want a nun A nun would be good for me I would never love another things would work out so perfectly ’cause black is my favorite color a nun would be good for me she’d satisfy my glands as long as she’d whip out the ruler and smack it on my hands I want a nun, I want a nun I want a nun for an escort communion of a different sort I want a nun a nun would be good for me but she’d have to know who’s boss and if she’s misbehavin’ well I’d make her bear my cross don’t make her do no penance just wait for her to say please I guarantee she won’t prayin’ when she gets down on her knees I want a nun, I want a nun I want a nun that ain’t no slob she can give me a trinity job I want a nun I don’t want a pretty woman blondes just ain’t my thing I don’t want some hot dancer even if she can sing I don’t want a pretty woman with a skirt above her knee I just want a penguin chick to play with my rosaries I want a nun, I want a nun I want a nun that ain’t no slob she can give me a trinity job I want a nun for an escort communion of a different sort I want a nun that I can keep and take, baby a habit I would never break, baby I want a nun gotta have a nun gonna be fun
6.
Swift Kick 05:49
SWIFT KICK I’m an asshole with a sweater in a restaurant you’d think I would know better but I don’t I left the motor running in the parking lot and I’m gonna stiff the waitress it’s all you can eat but three bucks is just too much to pay I’m an airhead with an implant at an auto show you’d think I’d learn the language but I can’t I’ll rub the hood for money and I’ll flash my rack and forget about my boyfriend this car is more loyal than anything I’ll ever date It’s Labor Day we’ll get real drunk we’ll set up camp in the backa my trunk I’ll hang with chicks to whom I lie and smirk and stare as you walk by with my untucked shirt and my folding knife I will not stop to ponder that this is my life I’m a mother with a hell child on a doggie leash you’d think I would know better but I don’t I’ll run ’round the museum, while he screams and shouts “… my, what a little angel” it makes you just wonder which one of us is leading whom I’m a creep jaw with a hairpiece, in a movie house you’d think I’d keep my mouth shut but I don’t I’ll talk right through the trailer and the feature part and I’ll keep my stupid hat on then I’ll munch on my popcorn and candy till you go insane It’s New Year’s Eve we’ll get real drunk we’ll find a girl that we can spunk (upon) I don’t care if she ain’t got a brain as long as she don’t feel no pain with my high five palm and my baseball hat I will not tell my buddies that– she looked at my gherkin saw that it wasn’t workin’ so I ended up jerkin’ in the shower at home she looked at my gherkin saw that it wasn’t workin’ so I ended up jerkin’ in the shower at home gherkin-jerkin’, in the shower at home we’re morons at a toll booth as we search for change you’d think we’d miss our exit but we won’t we’ll hit speeds topping thirty in the passing lane watch the white smoke trail behind us then we’ll give you the finger if you have the nerve to pass by it’s 2 am let’s leave the bar we’ll stumble to my truck/car I’ll blast the tunes from my radio and we’ll argue ’bout where we want to go with my bumper sticker and my big behind the neighbors lives won’t enter my mind
7.
Instrumental
8.
Bebop 05:46
BEBOP I’ve often wondered what it’s like to wear your shoes running in circles when a straight line’s what I’d choose you lug the gear but you don’t hear the muse’s voice less of a passion but much more a career choice you’ve had no teacher and you claim that’s your defense but years tick by and still you love your ignorance we try to reach and teach and show effect and cause but your whole world is pat on back, handshake, applause hey Bebop, what’s it like to be inside your head beating a horse that you refuse to see is dead hey Bebop, what’s it like to mistake that for this i-g-n-o-r-a-n-c-e can’t be bliss I’ve often wondered what it’s like behind your eyes rose-colored cataracts concocting careful lies you don’t report you just distort words you receive can’t even see that those aren’t compliments they leave hey Bebop, what’s it like to be inside your head beating a horse that you refuse to see is dead hey Bebop, what’s it like to mistake that for this i-g-n-o-r-a-n-c-e can’t be bliss you always played the same song you always played the chords wrong you never thought anything through we tried to show you changes we tried to make arrangements we tried until our reds were blue and at the end of it there was nothing left to do that’s why I’m through with you I’ve often wondered what it’s like to wear your shoes you get the paper but you seldom get the news swimming in bliss you miss that this noise is quite absurd you never think of what you’ll hear just what you’ve heard hey Bebop, what’s it like to be inside your head beating a horse that you refuse to see is dead hey Bebop, what’s it like to mistake that for this i-g-n-o-r-a-n-c-e can’t be bliss, can it?
9.
Vitriol 04:53
Instrumental
10.
SIMPLE SIMIAN count the steps from here to the corner wash it up twenty times in a day triple check twist the cap on the nightstand glue the handle tie it down make it stay make a wish leave a dish for the offer switch the light make it right for your eyes say the words hope that someone is listening always back and forth never side to side she knows ’bout the bones you been fetching she knows she’s the queen of the Nile she knows how to push all your buttons she knows how to make them smile she can make that monkey smile my little simple simian not 8-track but oh– CD over my shoulder she can guarantee with her help I can get through any door that restricts me count the tiles from here to the corner pull the knob and stick the keys in the place shag rug is my Poseidon Adventure check the mirror make sure it’s still my face telephone is ringing up to the quota clear the plate take Mona Lisa’s advice trash the stash that’s backed up cash for the ego watch the timer make sure it cooks up nice she knows ’bout the stones you been skippin’ she knows she’s the king of denial she knows ’bout the view from your shoulder she can make them walk a mile she’ll make that monkey walk a mile my little simple simian not 8-track but oh– CD over my shoulder she can guarantee with her advice I’m sure my own jury won’t convict me I’m no good without the one true pet I own disgruntled online shopper, clogged sink stopper indisposable, non-opposable thumbed one she knows ’bout the stones you been skippin’ she knows she’s the king of denial she knows ’bout the view from your shoulder she can make them walk a mile she’ll make that funky monkey walk a mile my little simple simian not 8-track but oh– CD over my shoulder she can guarantee with her help I can get through any door that restricts me
11.
B3 (brainsbodyboth) brainsbodyboth ya know it brainsbodyboth ya show it brainsbodyboth it’s true I wanna eat my cake and have it too some girls are born with looks to kill some girls are born with intimate skills some girls are just concerned with fun some girls are like an SNL skit at a quarter to one what I need is a two-sided coin she better satisfy my brain as well as my loins she better wear a tight dress and have a mind that’s strong I want brains and a body is that so wrong? when she shows me her brain cells then my pride suddenly swells like a Botticelli chick she’s on the half shell but she likes gettin’ nasty like Tori Welles brainsbodyboth ya know it brainsbodyboth ya show it brainsbodyboth it’s true I wanna eat my cake and have it too it’s scary, a dictionary is very good to try and retain and impress but I also don’t mind a vinyl dress and when she’s watchin’ Jeopardy she never has to guess you may ask why I’m specific well dumb girls make me soporific I need a brain and a bod that are both terrific like a domain name that’s case specific she’s the queen of conversation a panel member on Face the Nation but she gets on all fours without hesitation and she got the best seat without a reservation brainsbodyboth can it be brainsbodyboth for me brainsbodyboth it’s true I want a 6-inch heel and a high IQ she drinks Perrier, she reads Beaudelaire I like to smell her hair and her underwear ’cause her derriere goes from here to there she’s like two floor toms, rack, kick, and snare she goes to museums like Whitney to learn about the pigment at the installation she also knows S. Morgenstern is a figment of imagination she always puts Horace before Descartes she can make a point like Georges Seurat she can choke the chicken like Julia Child and she knows how to make my Oscar Wilde brainsbodyboth you know it brainsbodyboth you show it brainsbodyboth for real I want a high IQ and a six-inch heel she got brains and a brickhouse bod to behold she knows FE’s iron and AU’s gold she got the origami hands that can flex and fold “love for sale” I’m sold, I’m sold boys don’t be afraid of a high IQ a girl with smarts knows what to do she reads Masters & Johnson and Kinsey, too Lilly, do we lie? “It’s true, it’s true” brainsbodyboth, brainsbodyboth you better know who the hell is Eddie Jobson and have a Brit wit like Emma Thompson you can use irony to cut and slay and you can have the chunky glasses like Tina Fey you better like films by Kurosawa you better stay naked outside the shower you better ding dang dingle for over an hour then calculate binomials to the 10th power brainsbodyboth ya know it brainsbodyboth ya show it brainsbodyboth it’s true I wanna eat my cake and have it too brainsbodyboth… she can make my wick stick out my candle she knows which one’s Haydn and which one is Handel so put on a dress that barely fits then shake your ass and show me your wits
12.
Cruel Spines 06:25
CRUEL SPINES In the jungle in the water just waiting for its prey as you wade up to your waist it swims over your way no music from John Williams will warn you of its course it senses something in the water and it’s looking for the source relieving pressure that’s built to a height I sense that something isn’t right before I can tap I get a feeling in my lap I haven’t been fishing but I just got a bite I look down I can’t believe what I see I’ve a tenant but no condo fee what couldn’t be true has become Candiru it’s no longer “I” it’s now “we” the doctor said he’d never seen such a case I could tell he wasn’t lying by the look on his face then he shined a bright light in my most private place and said he wasn’t sure how to vacate the space [he said– ] You might need Roto-Rooter to help fix your spoo shooter try as I like, I can’t punch the spike and remove this aquatic commuter your posture will turn to a slouch you’ll probably turn into a grouch I regret to inform that from now on the norm the word you say most will be “ouch” biology offers no apology maybe it will let me be but I’m afraid I don’t feel free trust me this is quite a strange sensation this penal code violation I’m not really sure how to act and I hope its cruel spines will retract is it fiction? No, it’s fact! evolution’s quite a trick, to its guns it will stick it can develop fish that will do what they wish like set up camp in your prick although this hasn’t been fun I’m glad it’s not over and done the moral I guess, is I have to confess even this comp’nies better than none biology offers no apology maybe it won’t be so bad but I’m afraid I don’t feel glad trust me this is quite a weird sensation, this tubal ligation I’m not really sure what to say and I hope its cruel spines go away will you leave me? “No, I’ll stay!” Couldn’t understand it why all the men upon entering the water covered up what we call the nether regions using a shell from a tree just like a jockstrap what was this look that they all gave him squinting their eyes as they watch him in the water realize that the son will soon be daughter tourist won’t like what he ends up taking with him and when he pee the gift he see is duty free biology offers no apology zoology offers no apology
13.
Skeptic 04:58
SKEPTIC you can’t believe what a skeptic I am I can’t believe you believe in that man we disagree but I still give a damn your guru assures if you follow his regimen you will become a most excellent specimen the power to live on and on for all days is right at your fingertips, if someone pays he says that his aura will keep you alive for 3 easy installments of $10.95 the device he uses sucks out the bad juices and leaves no bad bruises, it simply deduces the proper percentage of X in your brain this miracle cure leaves no permanent pain you can’t believe what a skeptic I am I can’t believe you believe in that plan we disagree but I still give a damn your astral projections are coming along your chakra and chi are both growing real strong your cold disappeared after just nine short days all thanks to the words on the whole earth displays now due to the juices and pills and the creams your body’s lost toxins (whatever that means) you’ve stopped eating all of that sinister food your dinner tastes awful so it’s got to be good you can’t believe what a skeptic I am I can’t believe you believe in that sham we disagree but I still give a damn the ramification of treatments from holymen leaves me slightly queasy deep down in the abdomen convinced that the lives that they lead need adjusting the drive to the bookstore and blindly start trusting the miracles and cures all laid down in black ink never even bothering to stop and think-- the only real power that I do believe is the dollars and cents all these authors receive if miracle wonders were held in their looks why waste precious time and try selling their books why sit and wait for your publishing royalty if one has real power who needs reader loyalty if you could travel by thought to a mystical place why go to book signings and vie for shelf space why would you wait for your agent to call you and vent and try to convince you he’s worth 12 percent why would you bother with talk shows and a crazed publicist why deal with the people that repeatedly insist that you show them real proof that your powers exist hey, convince some real skeptics or cease and desist trust me six months from now you folks will not be missed what is the moral we all must learn ’specially those of us with money to burn before your eyes widen at the book on the shelf THINK is he helping you or is he helping himself you can’t believe what a skeptic I am you should believe what a skeptic I am

about

[all liner notes are from the original release]

THIS LEAFLET SHOULD ACCOMPANY EACH AURAL PRESCRIPTION.

USE AS DIRECTED.

VITRIOL

GEORGE HRAB

Instructions For Use: Congratulations! You are having purchased Vitriol, the newest and most recording of George Hrab. Please remember that much effort has been placed into performance and such. With these helpful advice, more pleasure from listening will be with you.

#1. Always play volume with vigor! More levels of volume make music happy.

#2. Don't be cautious, dance if feelings washes over you! Rhythm moving is good for. circulation, helps to improve life, and friend.

#3. Sing along with voices! Learning words of song always makes experience more delicious. Read along with provided lyric and then place in head for times after that.

#4. Inform others including ancestors of the existence of Vitriol! Telling people who do not know about the recording. The more who know, the greater number of folk who can help in your enjoyment of this super happy music.

#5. Please do not duplicate copies for doubles! Making duplicates for acquaintances can often screw over poor musician trying to make an honest buck. Especially to break even! Tell friends about website for purchase of new CD Vitriol. Those who copy bring much shame to family.

#6. Always place body in front of speakers! Best and most sound enjoyment comes from hearing full stereo sound, usually twice. Also with headphones is truly grand.

To be taken aurally. Use as directed.

READ ON FOR MORE INFORMATIONS FROM MUSICAL PERSONAGE
GEORGE HRAB. HAPPY LUCK AND MUCH LISTENING!

CAUTION
Contents Composed Under Pressure:
This album contains humor, opinion, and satire which
(although still currently legal) has been known to
cause severe mental and physical anguish.
Listeners with a history of ignorance, lack of humor,
low 10, general stupidity, and a predisposition
to clapping on one and three should consult their
physician before listening to Vitriol.

www.geologicrecords.net
2001 Geologic Records 2001 You Call That Music

CONTENTS So I have this one talent. No really. And by talent, I mean something that I'm really-really good at, which requires no effort or work. Wanna know what I think I can do effortlessly, better than anyone else on the planet? Here goes: I can recognize celebrity voiceovers. Wow, there it is. If there is a famous actor doing a voiceover for a car commercial or a bank ad or documentary or anything, I INSTANTLY know who it is. Honda? Richard Dreyfuss. Chevy? James Coburn. Volvo? Donald Sutherland. The Discovery Channel Dinosaur Documentary? Avery Brooks. The VH1 Legends Documentary on Led Zeppelin? Stephen Baldwin. Piece of cake. I just know who it is. Instant access. Bingo. No thought involved whatsoever. "So..." you may ask, "What can you do with this talent?" Well, here's what: NOTHING. Zip. Nada. Believe me, I have wracked my brain trying to figure out how to make money off this skill, but it's essentially worthless. HOWEVER- I think it does provide me with a somewhat acute sense of timbre. (That's NOT the thing that lumberjacks yell by the way.) SO- what you have here is a collection of songs that really tries to explore the most extreme shades of timbre possible. I have consciously tried to experiment before, during, and after the recording of these songs, with keeping my finely-tuned (albeit worthless) sense of timbre satiated and satisfied. What you also have here is a conscious attempt at writing SONGS. I've noticed that in the past, I hadn't really written TUNES. Sure there were a few songs here and there, but out of my first two albums, there was only a handful of numbers that I could sit and sing with a guitar. (It's extremely difficult to perform Treadmill Anxiety on an acoustic). I guess for this disc I purposely wanted to write more SONG songs. (Often strangers see me sitting outside with a guitar, and if a conversation gets struck up, invariably they ask me to play something of mine, and I usually have to explain that most of my music is more "conceptually-group-performance-oriented", at which point they give me a strange look and slowly back away... and one can hardly blame them). Now don't get me wrong, I love weird improv stuff and crunching guitar mash tunes like (sic] or Triage, but I think a well-written tune is its own thang. Therefore- what you've got here is a bunch of SONG songs recorded to sound as SONICALLY INTERESTING as possible. (As a brief example, every track on this record used a different drum kit setup, with alternating mic placement and effects. It was a pain, but it was WORTH IT.) Whether this refocused writing/timbral effort has produced anything of value we'll let someone else decide. In the meantime, turn the volume up, drink plenty of fluids and... take your medicine.

credits

released March 12, 2001

Written, arranged, performed and produced by George Hrab except:
Andy Kowal> trumpet on Monkey Hip Dysplasia & Irk
Nicole Diamant > flute on Trial + Error
Slau>4/4 piano on Irk, melismatic spasm vocal on Swift Kick
DJ Stank, MC Squared, Bownz'd Czech > rap on B3
Select members of the Wimbledon Voices of God >
group vocal on Shoe

Executive producer Donna Mugavero
Masterfully engineered by Slau Halatyn
Mixed by Geo and Slau

Recorded and mixed at BeSharp Studios, Astoria, NY
over fifteen-or-so non-consecutive days. spring/summer 2001
Vitriol and B3 recorded in the Naked Room at the Geologic
Headquarters for World Domination, Bethlehem, PA
Design concepts and task-mastering George Hrab
Package design Sheer Brick Studio, Bethlehem, PA
Vigilant deadline guardians and graphic magic - Minuteman
Press and Christmas City Printing, both of Bethlehem, PA

UNBELIEVABLY GIGANTIC THANKS TO:

Donna Mugavero and Slau. If these two people were not in my life this album would
still just be a series of scribbled notes on paper. Slau- your tireless efforts and unequaled
perfectionism are second only to your limitless goodwill and unbelievable talent. As soon as
I can, I will buy you a helicopter. Donna- You are the George Harrison to my Monty Python desperately looking for a fan to help finance The Life of Brian. I can't begin to thank you for your endless resources of love, encouragement, enthusiasm, generosity, and xerox paper.

HUGE THANKS TO:

Slau, Andy Kowal and Nicole Diamant for
providing brilliant non-George Hrab playing.
Slau & Andy K. for harmonic assistance on Irk.
Slau for desperately needed mondo cool
chord/guitar voicings on Trial + Error
and Skeptic.


SPECIAL THANKS TO:

My PFA compatriots- Gary Rivenson, Kevin Vanoy,
Dale Gerheart, Andy Kowal, Andy Portz, Dave Burt,
Alicia Burke, and Billy Wear.

My Beef brethren- Tom Sweeney and JP Cappiello
(especially for helping to work out the kinks of early
versions of Speak To You and Cruel Spines).

My Montage mates- Nick Roberti, Adrian Pysariwsky
and Slau.

Those fine folks who valiantly tried to be
somewhere in the world- Bunny, Beth, Melanie and Peter.

And of course to Oscar, for being the most dog.

Vitriol is for Joseph, Sofia, and Roman.

May the millennial kids have thousands of their wishes granted.

Slau: now available The Weight of Words www.slau.net
Philadelphia Funk Authority www.phillyfunk.com
DJ Stank-MC Squared-Bownz'd Czech:
now available Nature's Pocket www.dot.com/slash

T H I N K

THIS IS ALBUM NUMBER THREE

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George Hrab Bethlehem, Pennsylvania

George Hrab is a multi-instrumentalist, singer, songwriter, story teller, science advocate, producer, composer, & vigilant defender of the Theory of Gravity. He’s produced seven studio albums, 800 plus podcasts, two books, one concert DVD and is determined to keep making more and more stuff everyday. ... more

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