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Coelacanth

by George Hrab

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1.
brainsbodyboth Some girls are born with looks to kill some girls are born with intimate skills some girls are just concerned with fun some girls are like an SNL skit at a quarter to one what I need is a two-sided coin she better satisfy my brain as well as my loins she better wear a tight dress and have a mind that’s strong I want brains and a body is that so wrong? when she shows me her brain cells then my pride suddenly swells like a Botticelli chick she’s on the half shell but she likes gettin’ nasty like Tori Welles brainsbodyboth... I wanna eat my cake and have it too It’s scary, a dictionary is very good to try and retain and impress but I also don’t mind a vinyl dress and when she’s watchin’ Jeopardy she never has to guess you may ask why I’m specific well dumb girls make me soporific I need a brain and a bod that are both terrific like a domain name that’s case specific she’s the queen of conversation a panel member on Face the Nation but she gets on all fours without hesitation and she got the best seat without a reservation brainsbodyboth... it’s true, I want a high IQ She drinks Perrier, she reads Beaudelaire I like to smell her hair and her underwear ’cause her derriere goes from here to there she’s like two floor toms, rack, kick, and snare she goes to museums like Whitney to learn about the pigment at the installation she also knows S. Morgenstern is a figment of imagination she always puts Horace before Descartes she can make a point like Georges Seurat she can choke the chicken like Julia Child and she knows how to make my Oscar Wilde brainsbodyboth… She got brains and a brickhouse bod to behold she knows FE’s iron and AU’s gold she got the origami hands that can flex and fold "love for sale" I’m sold, I’m sold boys don’t be afraid of a high IQ a girl with smarts knows what to do she reads Masters & Johnson and Kinsey, too Boys, do I lie? It’s true, it’s true It’s true, I want a high IQ, how ‘bout you? You better know who the hell is Eddie Jobson and have a Brit wit like Emma Thompson you can use irony to cut and slay and you can have the chunky glasses like Tina Fey you better like films by Kurosawa you better stay naked outside the shower you better ding dang dingle for over an hour then calculate binomials to the 10th power brainsbodyboth… She can make my wick stick out my candle she knows which one’s Haydn and which one is Handel so put on a dress that barely fits then shake your ass and show me your wits
2.
Think for Yourself As sure as the star bellied sneeches butter the underside of their toast All things being equal, the simplest answer’s worth most Don’t rely on Vishnu, Buddha, Ron Popeil or Holy Ghost Just consider these words, and that ship of life you’re sailing on might not smash into the coast: Watching every channel, all that I do is see, oceans of gullible conformity Oh I’ve had enough, of all the smiles and all the teeth and all the nods And I’ve had my fill of promises, from magic rays, to painless perfect bods Watching every channel, that flashes before me, I can’t believe the level of spirituality Oh I’ve had enough, of the geeks who have claimed to have found “the” way I wish that guy watching would just take a sec, and consider what I have got to say Think for yourself, little man Don’t let ‘em tell you that they have the plan ’Cause everyone’s lost chin deep in the sand And what they tryin’ to sell to you, you shouldn’t be buyin’ Think for yourself, little girl Don’t let ’em tell you how to run your world ‘Cause everyone’s the same choking back that nervous hurl And if they tell you they ain’t, well they’re just lying, yeah they’re just lying Reading all the pages in the standard magazines I wonder if they realize what all the small print means Oh you need a microscope, to read about the no fault guarantee And to see that “these results not typical” and this offer’s void in any state that’s spelt with an “e” Watching all the people place bet after amazing bet I wonder if they realize their misplaced raison d’être But they don’t wanna hear, about the odds and statistic A and B ‘Cause they know a guy who’s got a friend who’s got a brother Who read a book by this other guy who says that “hey, this stuff always works for me!” Think for yourself little folks Yo…check one-two one-two, is this thing on? Hey, these are the jokes… Beware of the dudes who don’t like jabs and pokes ‘Cause when you can’t laugh at yourself, you just end up crying Think for yourself, little friend Is it you that they like, or is it the money you spend Beware of the jerks, who’d rather break than bend And to question anything to them is like dying, yeah it’s like dying Listening to the radio, from my comfy cozy chair No one seems to question all the claims out on the air Oh I’m tired, of all the promises so tremulous And I can’t conceive the cache of creeps and cretins who continue to be so uncannily credulous Think for yourselves, everyone Don’t believe what is said, put your stock in what’s done Insist on all the facts, then add up your own sum Or else the punch you might get won’t be Hawaiian Think for yourselves one and all Don’t jump to conclusions don’t beat up Peter if you’re pissed at Paul Don’t fall for anything, and please don’t drop the ball Just be sure to do your who, what, where, when and why-in, yeah- Hawaiian.
3.
Heaven Must Be Boring So you change the details on the same old story But it doesn’t make much sense to me Thought the details often get a little gory Can you tell me what the lesson’s s’posed to be You see, for me, what’s true, to you, won’t do Heaven must be really boring If you think about it logically All the angels must be snoring Who could stand perfection, for eternity? Who could stand perfection, for eternity, not me. So you change the setting of the same old fiction But it doesn’t make much sense to me Though the locale often causes local friction Can you tell me what the moral’s s’posed to be You see, for me, your three, eternity, not likely Heaven must be really boring If you think about it logically All the angels must be snoring Who could stand perfection, for eternity? Who could stand perfection, for eternity, not me. No amount of proof can will the wool off of their eyes No evidence can make them switch No logical discourse will result in looks of surprise Faith can really be a bitch So you’ve changed the ending of the same old story But it still can’t make much sense to me Shouting down the halls you pine for your past glory How can you tell me that’s what the truth is supposed to be For you, what’s true, won’t do, no clue, you’re through Heaven must be really boring If you think about it logically All the angels must be snoring Who could stand perfection, for eternity? Who could stand perfection, for eternity
4.
Simple Simian Count the steps from here to the corner wash it up twenty times in a day triple check twist the cap on the nightstand glue the handle tie it down make it stay make a wish leave a dish for the offer switch the light make it right for your eyes say the words hope that someone is listening always back and forth never side to side She knows ’bout the bones you been fetching she knows she’s the queen of the Nile she knows how to push all your buttons she knows how to make them smile I can make that monkey smile My little simple simian not 8-track but oh– CD over my shoulder she can guarantee with her help I can get through any door that restricts me Count the tiles from here to the corner pull the knob and stick the keys in the place shag rug is my Poseidon Adventure check the mirror make sure it’s still my face telephone is ringing up to the quota clear the plate take Mona Lisa’s advice trash the stash that’s backed up cash for the ego watch the timer make sure it cooks up nice She knows ’bout the stones you been skippin’ she knows she’s the king of denial she knows ’bout the view from your shoulder she can make them walk a mile I’ll make that monkey walk a mile My little simple simian not 8-track but oh– CD over my shoulder she can guarantee with her advice I’m sure my own jury won’t convict me I’m no good without the one true pet I own disgruntled online shopper, clogged sink stopper indisposable, non-opposable thumbed one She knows ’bout the stones you been skippin’ she knows she’s the king of denial she knows ’bout the view from your shoulder she can make them walk a mile I’ll make that funky monkey walk a mile My little simple simian not 8-track but oh– CD over my shoulder she can guarantee with her help I can get through any door that restricts me
5.
Convenient 05:34
Convenient Mweh Heh Ya Heh-Na, Hey Hey And when they’re laughing at me I get so mad I just can’t see Make fun of my deformity ‘Til it’s convenient, ‘til it’s convenient Boss man joins in on the fun Laughin’ with the rest of everyone He’ll change his song with the setting sun When it’s convenient, when it’s convenient Mweh Heh Ya Heh-Na, Hey Hey And though they mock how I appear They think I am to dumb to hear Situation’s changed suddenly they cheer When it’s convenient, when it’s convenient The forecast’s bad he’s come to say Now I can help in my own way Use what I got to save the day Now it’s convenient, now it’s convenient Mweh Heh Ya Heh-Na, Hey Hey Now they let me play their game I know they’re thoughts are still the same Rude often carries no shame ‘Til it’s convenient, ‘til it’s convenient
6.
How Do You Do? How do you do what you do after dealing with what’s done Smiling statue standing ground while I turn tail and run How do you do what you do with the crap cards you’re dealt Turning deuces into kings while dealers bite the felt Oh no, not me- I can barely talk Oh no, not me- I can’t chew gum and walk How do you hear what you hear after hearing what you heard Endless optimism despite cruel concluding word How do you hear what you hear when all I hear is bunk Pitching perfect melodies while others pitch out junk Oh no not me, while you sing I shout Headphones, roll tape, but no words come out So talented it makes you sick, So talented it must be a trick Out of the park with each at bat, Tell me how can I be like that How do you see what you see after seeing what you saw Effortless enjoyment while I stare with open jaw How do you see what you see from every single side Calmly catching what you seek while I count 10 and hide Oh no, not me, what you are I ain’t Dub me, mediocrity’s patron saint So talented it makes you cry, So talented and such a nice guy Right through the goalposts with each attempt, Tell me why do I feel exempt Just when I thought I had the answer, One little question still stays true Won’t somebody kindly tell me, How do you do, the things you do So talented it makes you think, So talented it’ll drive me to drink Singular head with multiple hat, Tell me how can I be like that
7.
Lights Out 06:46
Lights Out Lights out- I don’t know what it was but it was Expecting the worst, when we heard about it first 50 million breathe a sigh of relief and jokingly sing a song from South Park The boat we’re in’s the same, putting faith in the cane He runs down the stairs while we grope the hallway, the advantage is all his Lights out- I don’t know what it was but it was Three stories every hour, six to eight after full power Möet and Ben and Jerry on a stoop with old friends, we’d never met before Shuffling to the park, street semaphore in the dark The big metal dog barks knowingly from the top of the big metal bridge Watching all the buildings, where the hell is Mars Shadows cross the river, first time she’s seen stars You never know, you never know, you never know, you never can tell A truck and a bus and a car, melting ice outside the bar The biggest block party in history with no curfew and no last call Waiting for the dawn, philosophizing on the lawn We talk about god and we argue ‘bout god and we laugh about god and we laugh about god and we laugh Watching all the buildings, where the hell is Mars Shadows cross the river, first time she’s seen stars Lights out- I don’t know what it was but it was You never know, you never know, you never know, you never can tell
8.
Instrumental
9.
Goodbye 03:59
Now that the night has ended, now that the evening’s through Although I don’t want to do what I have to It’s time to try and say goodbye to you Now that the lights have all been turned on, the time flew by somehow Although I don’t want to take a final bow I have to try and say goodbye for now Hands on the clock keep moving My watch is no friend of mine That’s one set of hands that are pointless to hold It won’t help me slow down time Au revoir and aloha, adios tambien With these words I’ll wish you well my friend Let me repeat, until we meet again Hands on the clock keep ticking My watch is no friend of mine That’s one set of hands that are pointless to hold It won’t help me slow down time Arrivederci and dobranich, vaya con dios tambien With these words I’ll wish you well, my friend Let me repeat until we meet again Let me repeat until we meet again

about

coe•la•canth (se’ l kanth’), n. a four- to five-foot long crossopterygian fish, Latimeria chalumnae, caught off the coast of South Africa in 1938, assumed to have been extinct for 65 million years, but freakin’ wasn’t!

Congratulations on purchasing George Hrab’s latest attempt at digital immortality.

COELACANTH

This CD was specifically created to be used as a party record. Coelacanth will hold a huge amount of dip without breaking in two. Coelacanth will also reflect light in a “shimmery party manner”
somewhat akin to a tiny, flat, disco ball. Coelacanth also makes an excellent drink coaster. Coelacanth can be held by its edge and used to slice very ripe fruit and/or vegetables. Coelacanth may only be used as a flotation device if you’re drowning in sorrow. Coelacanth will not imbue its listeners with the power to fly, however it is guaranteed to make you chuckle [not a guarantee]. Coelacanth has carefully
tempered elements purposefully designed to make you dance. Coelacanth may cause its listener to think about a slightly deeper concept or two. If Coelacanth doesn’t trigger any deep philosophical
thoughts, THAT’S OK, so long as you shake your ass a little. Enjoy.

Written and produced by Geo. Masterfully engineered by Slau at BeSharp Studios, Astoria, New York.

credits

released January 5, 2004

Written and produced by Geo.
Masterfully engineered by Slau at BeSharp Studios, Astoria, New York.

IT IS IMPOSSIBLE to express my
thanks adequately, but here goes:

Slau Halatyn has made my recording “career”
possible. Not a single album of mine would exist
if were not for the generosity, geniality, and
geniousness of this gentleman. Who’d ya’ think
track 6 is about, eh?

Andy Kowal has repeatedly dealt with all of my
challenges to him with skill, style, speed and a
smile. From the first Geologic charts to the horn
arrangements on this record, Andy (always in
the midst of massive home repair) has unflinchingly
fulfilled every request of mine brilliantly.
Dyakoo-YOU.

Donna Mugavero is the one person who truly
gets it. For pushing me to make better and better
music, she simultaneously makes me be a better
person. Thanks for wanting to listen.

The Authority Horns – Andy, Dale, Larry and
Dave – came into the studio and in one marathon
5-hour session made this record what it is.
Essentially sight-reading my bizarro charts, they
even gladly sang my nonsense lyrics and did it
with aplomb. (Or was it with a peach?) Thanks,
guys- Hands across the water indeed.

Vinnie Puccio, Eric Kenlin, & Ross Brown
make live versions of these songs possible. I am
eternally indebted that these gents would even
consider playing my music. You guys, along with
the Authority Horns, make these tunes sound
better than they have any right to.

The Philadelphia Funk Authority – Gary, Andy,
Andy, Dave, Doug, Larry, Dale, Alicia, MJ, Durand,
Dave, Vinnie, Ross, & Billy – have repeatedly
shown me what it means to be funky. Coelacanth
wouldn’t be nearly as groove-ish if it were not for
the constant high standard of funkiness expected
by PFA. Thanks, guys- oh, by the way, we’re
getting paid by check.

Andy Portz lent me his funky-ass Motown guitar
without hesitation, and I gladly used it on Heaven,
Convenient, and Simian. Any skill that you hear
is residual talent left on the strings from Andy.
Thanks, Steel Portz!

Audrey Farolino let me steal her husband for
days at a time, and she graciously let me sleep
on their couch. Thanks also for the “cinematic”
reference to an early version of The Coelacanth
Sighs, AND for suggesting I write lyrics for what
would eventually become Lights Out.

Erin Kowal also let me steal her husband for
hours at a time, when he should have been grouting
or waxing or painting or sanding or spackling
or nailing or raking or staining… Thanks, cuz!

Minx- grrrrrrrr.

Maya, Natalie, and Vera have joined the party
since Vitriol. Welcome!

Oscar is STILL the most dog.

Samantha Weinberg wrote a great book called
A Fish Caught in Time (HarperCollins, available at
all fine booksellers) which started all this silliness.
Thanks, Sam.


For Lenny

* * * * * * * * * * * * * * * * * *
The Coelacanth Conservation Council (CCC) maintains an inventory of all known coelacanths, listing their place, date, depth, method and time of capture, their vital statistics and present whereabouts. For a complete listing of all coelacanths caught to date, contact the Coelacanth Conservation Council Secretariat, MTN ScienCentre, 1 Waterford Place, Century City, Milnerton, Cape Town, South Africa.

2004 Geologic Records
©2004 You Call That Music

THIS IS ALBUM NUMBER FOUR

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George Hrab Bethlehem, Pennsylvania

George Hrab is a multi-instrumentalist, singer, songwriter, story teller, science advocate, producer, composer, & vigilant defender of the Theory of Gravity. He’s produced seven studio albums, 800 plus podcasts, two books, one concert DVD and is determined to keep making more and more stuff everyday. ... more

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