We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Interrobang

by George Hrab

/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $8 USD  or more

     

  • Full Digital Discography

    Get all 8 George Hrab releases available on Bandcamp and save 35%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Terpsichore, 21812, Trebuchet, Interrobang, Coelacanth, Vitriol, Minutiæ, and [sic]. , and , .

    Purchasable with gift card

      $41.60 USD or more (35% OFF)

     

1.
Blue Genes 03:58
BLUE GENES I hate my hair, I hate my voice But I’ve no choice it’s what my genes say That make me this way, uh-huh I guess that’s OK I like my job, I like my wife This is my life I guess I will stay At least one more day, uh-huh I guess that’s OK But there are times when I wonder If what I do Makes a difference to you, who are listening I’ve got no kids I’ve got no progeny My words are legacy what your missing I do not drink, I do not drive I won’t survive unless I can play For free or for pay, uh-huh I guess that’s OK I always laugh, I always smile I ran five miles just the other day I still feel fat anyway, uh-huh I guess that’s OK But there are times that I wonder how this will go Either fast or real slow to the finish Call it a hook, all I hear’s a cliché What I fear is the way I’ll diminish Wish curse groove rut. Wish curse groove rut. I hate my hair, I hate my voice But I've no choice.
2.
BARNEY'S IN THE VENT The pictures thrown upon the desk The tape has turned to smoke
 I start to peel away my face There’s one guard left to choke A vaguely European name An ideal stroke of luck
 Devices hidden perfectly “Gaz” written on the truck— Barney’s in the vent, Barney’s in the vent… The voices matching perfectly I barely have to try The sweaty forehead and bit lip When something goes awry 
Is it today or still last week The camera doesn’t show You can see right through all the cards The patsy doesn’t know— Barney’s in the vent, Barney’s in the vent… servano valeria zubrovnik fetyukov cherlotov lombuanda svardia elkabar ghalea cristobal trivanium camagua jamada raf tagoor cardoza pereda doc-turec kamirov masaki kitara stu gorman servano valeria zubrovnik fetyukov cherlotov lombuanda svardia elkabar ghalea cristobal trivanium camagua jamada raf tagoor cardoza the syndicate The secretary can not know a thing, and even if he did he wouldn’t sing The secretary can’t know who or how, and even if he did he’d disavow. Impromptu magic will distract Last minute change of plans
 Remote control is on the fritz Everybody back in the van— Barney’s in the vent, Barney’s in the vent…
3.
THE ASSUMPTION I know you know you think I think I am the best But let me get a few things off of my chest Because I stand alone with what you call a frown Does not mean I’m stuck up, if anything I’m stuck down I know you know you think I think I am the shit But the truth could not be much further from it I’d rather have you wonder what I’m all about Than open up my mouth, and remove any doubt Don't you assume you really know me Don't you assume I'm sad and lonely Don’t wonder what I’m not revealing Looks can be concealing after all I know you know you think I think I’m where it’s at But don’t forget I see myself as bald and fat I promise you there is some more than what you see But your assumptions tend to make an ass of just me Don't you assume you really know me Don't you assume I'm sad and lonely Don’t look for answers on the ceiling Looks can be concealing… After all of the people who would rather be by themselves aren't inherently unhappy, so don't pile up your assumptions you be the life of the party and I'll be the party of my life I know you know you think I think my stank don’t stink I’m sorry Mr. Gladwell I’m more blank than blink If first “of courses” tend to become just desserts I hope you’ll stick around for seconds and maybe thirds Don't you assume you really know me Don't you assume I'm sad and lonely You might find my thick skin appealing Looks can be concealing after all Looks can be concealing after all Looks can be concealing after all
4.
'Ya Famous? 04:37
'YA FAMOUS I sit in the park and play and folks walk up to me and sometimes say: "Hey, play something, go on, give us a show Is there something you've written that we might all know?" And I say: You've never heard of me no not a word from me Everything that I have made remains all un-shown A title you request, must surely be in jest I promise you I am completely unknown But this is the song I'll play to try and appease I haven't got long, ok, at least you said please You've never heard me sing, or seen me do anything And when I am done you won't remember my name I'll play if you insist, there's no point to resist But you will be unimpressed by my lack of fame So this is the song I'll choose if me to play You'll nod and smile politely then you'll turn and walk away Why don't you turn and walk away I won't be famous any time soon But I can play a pretty fine tune I won't be famous any time soon But I can play a pretty fine tune I never do complain, at my lack of fame I would rather walk the mall anonymously I'm sure you're unimpressed, by my lack of abs and chest But I still hope you will like my chords and melody They say we each have one thing at which we do excel My one thing is I know the house band's way better in hell way better in hell I won't be famous any time soon But I can play a pretty fine tune I won't be famous any time soon But I can play a pretty fine tune So these are the lyrics you'll never e-mail to your friends But don't feel bad for me I know how this story ends I won't be famous any time soon But I can play a pretty fine tune I won't be famous any time soon But I can play a pretty fine tune No, no way am I gonna be famous in any amount of time But I can play a pretty fine tune I won't be famous no, I won't be famous no No, no, no no, no La la la la...
5.
Disappointed 06:40
DISAPPOINTED [part III of Skeptic] I was so disappointed Out of all of the people to think what they think How could your ideas be so disjointed Poured out glass upon glass that you casually accept and drink Speaking in barbecue tongues You dismiss what you taught me Questioning stares all look back from the books that you bought me I was so disappointed Throw away all the lessons of evidence weighed Now you seem like one of the anointed Did the Governor call was your execution of logic stayed Speaking in talking point rhymes You just parrot what they find This from the teacher who taught me to make up my own mind Carl and Michael and Stephen and Jared might all cry Richard and Randi and Martin and Charles would all ask why I was so disillusioned That the past influenced what you did try to sell Looking for weapons of mass confusion Never thought that the target they’d splay on you would stick so well All the while mocking how someone could invest in that plan placing yourself in a corner with paint from that same can I was so disillusioned You resorted to tactics I’d never conceive Equating paper cuts to contusions Turning your back on all of the things we’re supposed to believe All the while that conversation still eerily haunts me To think you’re not exempt is the one thing that most disappoints me Carl and Michael and Stephen and Jared might all cry Richard and Randi and Martin and Charles would all ask why I can’t believe what a skeptic you are I was so disappointed
6.
OUT OF MY MIND I have the most mundane dreams Forgetting a pencil or forgetting to signal right But e'vry now and then someone visits That makes me wish I would sleep through more of the night But it won't come true, s'what I have to do, is ask this favor you — I have the most obscure thoughts Made up conversations and debates with thin air But e’vry now and then something happens That makes me wish I'd build up the courage to go there This thought isn't new, s'what I have to do, is ask this favor you — I'm not so sure what you're hoping to find. Do me a favor and stay out of my mind. My mind. I have the most severe case With the recurring symptoms all recurring again And though I know it's infatuation It's easier for me to go al "zing!" than "zen" If you only knew, what I have to do is ask this favor of you — I have the most bizarre taste I grow bored of the flavor 'fore I finish the bite But sometimes the picture on the menu Makes me want to masticate through all of the night But I can not chew, s'what I have to do, is ask this favor of you I'm not so sure what you're hoping to find. Do me a favor and stay out of my mind. My mind. I bet, I bet you, I bet you won’t, I bet you won’t think, I bet you won't think this song is about you won’t you won’t you Not again, not again, not a gain. Do you even know something tells me so Do you even know, something tells me no
7.
? 03:24
? We're all about the culture of life, unless you live in Texas and are sitting on death row(1) and it helps if you're retarded(2). We're all about the moral high ground, unless you've got lots of money that you've made from porno and are willing to donate(3). We're all about the value of marriage, unless you share the same danglies or decide to get divorced(4) or decide to get divorced again(5) or for a hat trick decide to get divorced once more(6). We're all about the value of freedom, unless you like to read something we don't agree with (7) or live in Saudi Arabia (8) and are maybe a female(9). They can't drive ya know(10). We're all about being conservative, except with things like a budget (11) because what are we expected to actually stay within it. We're all about small government, unless you do what we don't or try to think for yourself or maybe would like to get some kind of an aerospace contract(12) or maybe enjoy using a feeding tube(13) (that's right). We're all about the value of science, except when you deal with things like facts(14) or well-proven facts(15) or maybe things that are known to some people as facts(16). Yeah. That's what we're about. That's what we're about. That's what we're about. That's what we're about. That's what we're about. Yeah(17).
8.
SHE SUFFERS FROM SUPERLATIVES How is it you can feel no sorrow? She suffers from superlatives The best the worst the most Unthinking dumb blonde girlatives It's not about you but your glass is highest at every toast When she is around, my ship runs aground The wedding dress is very nice The pearl the stitch the lace A yeasty mess is put on ice You grab the bottle by the neck you pull it up to your face When she starts to emote, my boat doesn't float How is it you can feel no sorrow, at the way you have fame Thinking you will still be here tomorrow How is it you never feel ashamed? You'd think the whooping woulda' stopped Before your legs needed a shave Your daddy's gonads shoulda' dropped But who is he to tell you how you should or shouldn't behave? When she talks 'bout her crush, my al dente turn to mush They say your looks trump all the crap But it's a pristine pollution Your attitude just makes me nap And I would not even waste on you my saline solution When her mouth starts to shoot, my kapow goes kaput How is it you can feel no sorrow, at the way you have fame Thinking you will still be here tomorrow How is it you never feel ashamed? You're not nearly so cute with your flaws You make me glad I have mute stop and pause A good reason is not "just because" So honey pull up your drawers She suffers from superlatives She suffers from superlatives And no, that is not fine Resulting in chum hurlatives The clock's a-tickin' and I think you're at 14:59 When she's being all cute, my pork loin turn to prosciutto How is it you can feel no sorrow, at the way you have fame Thinking you will still be here tomorrow How is it you never feel ashamed? She suffers from superlatives...
9.
! 03:50
instrumental
10.
You are very good drummer, but what, what we are looking for is something more "ethnic." "Ethnic"-- what does that mean? I don't know
11.
Done Talking 05:05
DONE TALKING You spit it out, I keep it in That’s why I have this Cheshire grin You talk it up, I write it down You wonder why I don’t make a Sound advice deaf ears days turn to years This time I swear that it’s true I’m done talking to you, I’m done talking to you I clean it up, you make a mess It’s no excuse to say it’s your best I try to seek, you only hide Bury your head and wait for the Tied to be fit well, buy turns to sell this time I don’t know what to do, But I’m done talking to you, I’m done talking to you Your best intentions are part of the pavement Heartfelt confessions are not what I meant When I asked for something more You want to talk, I need to say How many hands do we need to play I want to live, you want to dwell Why would you throw away what’s worked Well wishing runs dry, pointless to ask why This time you know that it’s true I’m done talking to you, I’m done talking to you Your best intentions are part of the pavement Heartfelt confessions are not what I meant When I asked for something more I’m a patronizing saint I’m much more Queeg than quaint You make what I ain’t, you make me what I ain’t No thanks left to shoot, you’re deaf so I’m mute This time It will have to do, so I’m done talking to you I’m done talking to you Your best intentions are part of the pavement Heartfelt confessions are not what I meant When I asked for something more
12.
WHO DOGS THE OUTLET Who dogs the outlet? You dog the outlet. Changing channels challenged by the sights and sounds and smell of pungent heir apparently you decided that it’s ok not to play. A bitter pill in which to wallow in misery of a company unprepared to duplicate what machines create in conditions of solid ‘tude. Who dogs the outlet? You dog the outlet. Held to a higher standard than the boys from the land of bilk and phony, you supposedly exude more legit ‘tude but it’s just rude what we’re subjected to. A fake performance that’s more sin than synch, more hole than brink, more stench than stink. Who dogs the outlet? You dog the outlet. And what of poster boys for du-jour’s noise with faux hawks and faux chops and no real stock in which to invest- these are the best minds of a gender ration? At least their bubble bursts with some authority, they’re the minority or at least are supposed to be in a world of music that’s more moo than sick with bands of gum that stick to the shoes of screaming fans. But you, you’re the one who’s more legit, you’re the one who’s more fit to know the diff’rence between write and song, between mediocre and “come on!” Who dogs the outlet? You dog the outlet. Well well well’s run dry, too hard to try and learn the ins and outs of your instrument? And even those who know how to play think it’s ok for continuity. What of perpetuity? Anyone gonna know the difference between live in jive in 2025? Who dogs the outlet? You dog the outlet. And again it’s not the pop that make sweat flop but artists seen as LEGIT that make me want to stop and spit, that make me want to up and quit, that throws my thesaurus into a fit and leaves me searching for words. Like feh. Who dogs the outlet? You dog the outlet. So what’s the hope- and cross be damned I’ll vow to never allow any performance of mine to develop into a pre-recorded blister, you listen to me mister and watch me actually drum this drumable dingus, thing this thingable thingus, ming this mingable Mingus. Thousands of students learning to defend so you can stand up there and pretend when will this silliness end, or at least subsist- can’t both exist? Who dogs the outlet? You dog the outlet. So who’s to say what will become of all the tunes and all the gum that chewed by all the drang and strum… Artistic demerit, ah I’ll just grin and bear it. I promise that I won’t succumb, and be an outlet dogging puppy. Who dogs the outlet? You dog the outlet. Not me.
13.
SCIURUS CAROLINENSIS Lookout for the squirrels they might be finding your nuts And I do not mean that they will judge you insane Hiding tasty morsels in crevices and ruts Taken aback by how much their pleasure causes pain Lookout for the squirrels they can show up any place Knowing that your observation skills are astute It can be upsetting when you get face to face Taken aback by how suddenly they’re not so cute They’re not so cute when you see them at eye level They’re not so cute when you see them at all Those bushy tails are eyebrows off some devil They’re not so cute when you're backed up against the wall Lookout for the squirrels in garbage dumpsters and drums Though the tales they spin seldom if ever are true Winkin’ at ya with pseudo opposable thumbs Taken aback these fuzz rats can scare the crap out you Lookout for the squirrels their numbers grow every day Spreading out from city parks and golf courses too Suddenly you’ll find yourself in nut deep dismay Taken aback and wondering just what will you do What will you do when you can hear them huffin What will you do when they’re too close to ignore Their confidence grows with ev’ry stale muffin What will you do when they’re scratchin’ at your door What will you do. What will you do. Tell me WHAT WILL YOU DO?
14.
I'm sorry I was fat for your wedding I'm sorry you have shots of me sweating Your video made me see, I had an epiphany So I changed the path down which I was heading Was heading-- mmmmm.

about

Flexible Time & Constant Speed
George Hrab, Interrobang, and the Theory of Relativity

The Theory of relativity is so fucking cool. Everyone knows or has seen the equation E=mc2, but most folks don’t know what it means, and even fewer folks realize that he coolest, most mind blowing aspects of Relativity are only indirectly connected with the world’s most famous equation. OK, quick primer: E=mc2 basically says that every single piece of matter (helium, gold, diet coke, Abe Vigoda…) can be transformed into, or has an equivalence with a pure burst of energy, and that the relationship of matter to energy is proportionally consistent, regardless of the composition of the matter. The amount of energy (E) locked away inside any matter (hydrogen, tritium, liquid Prell, Lindsay Lohan), is equal to the mass of the object (m), multiplied by the speed of light (c) with the whole puppy squared (2). Yay. Piece o’ cake.

NOW- The really really cool part of relativity is two fold. It relates to the constant speed of light, and the mutability of time. Let me ‘splain:

Light travels at (duh) the speed of light, which is 186, 000 miles a second. Really fucking fast. Nothing else in the universe can go faster. (I’ll explain why a bit later…) The weird thing about the speed of light is that it ALWAYS travels at 198, 000 miles a second. Big deal you say? Well, picture it this way: Imagine someone running past you. This runner is simultaneously running and throwing a baseball forward. If he’s running at 5 miles per hour, and he throws the balls forward so that it’s moving 10 miles an hour (from his perspective), we would observe the ball traveling at 15 miles per hour. (His 5 mph speed, plus the ball’s 10 mph equals 15 mph.) “No shit” you say, and rightfully so. Well, ok- let’s extend this experiment, and put the runner in a rocket car traveling at 1,000 miles per hour. Instead of throwing the baseball, he’s constructed a special baseball shooting canon that fires the baseball forward at 2,000 miles an hour. So what do we, observing the whole thing see? We’ll see the baseball flying forward at a speed of 3,000 miles per hour. (1,000 mph rocket car + 2,000 mph canon-propelled baseball = 3,000 mph flying baseball. ) I’m assuming by the way that we have a high end radar gun or a REALLY KEEN sense of speed… Still with me? Good. Now here’s the cool part. Let’s assume the guy in the rocket car (still going at 1,000 mph) turns on his headlights. (This is like the Steven Wright joke…I know…) You’d expect that we’d observe the light leaving his headlights to be traveling at the “speed of light” PLUS 1,000 miles per hour. But… we don’t. We would observe the light (with a fictional light speed measuring dingus) traveling at a CONSTANT speed of 186, 000 miles per second. Think about that for a minute. No matter how fast the imaginary rocket car zooms along (1,000 mils an hour, 1,000 miles a second, 10,000 miles a second…) when the lights get turned on, that light will ALWAYS appear to be traveling at 186,000 miles a second. To you on the ground, to the poor schmuck driving the rocket car, and to alien observers 10 million light years away; the speed of light is constant. It doesn’t matter if he’s driving towards you, away from you, in front of you, or behind you. Whenever, wherever you observe the speed of light, under ANY circumstances, it’s always, always, ALWAYS 186,000 miles a second. HOW COOL IS THAT! (So Steve, if you’re driving at the speed of light and you turn on your headlights, they just go on like normal. Sorry to ruin the setup, but it’s still a great joke…)

OK. That’s pretty cool- BUT EVEN COOLER STILL and EVEN MORE MIND-BLOWING is this: According to relativity, the faster you travel, the more you weigh, and the slower your time goes. WHAT?! Yup. The faster you move, your weight increases and your time slows down. OK, let’s think about THAT for a while…

Ya back? Good. This means that when you’re in your car zipping along at 60 miles an hour, your watch is running infinitesimally slower than your clocks at home. And the asshole on the motorcycle who just whizzed by you at 110 miles an hour has a watch going even slower than yours. This also means that you weigh just a tiny, tiny, TINY bit more that you did before you started moving. Now, this isn’t some theoretical-mumbo-jumbo-unproveable-horse-hockey. This is an ACTUAL, MEASURABLE, PHENOMENON. (doot-doo, do do do..) Listen to this: Scientists have taken atomic clocks (these are clocks that are accurate to within 1/10,000 of a second) and have synched them up.

“Let’s circumcise our watches…”
“Synchronize sir…”
“Whatever..”

Clock A stays on the ground, and clock B gets taken up into an airplane and flown at 700 miles an hour. After the flight, the two clocks are brought back together and… clock B is slightly SLOWER than clock A. No shit. (We’re talking about a small difference, like thousands of a second difference, but a measured difference none the less.) Once you get into the realm of really fast speeds, (approaching the speed of light) the differences become more apparent. (I think it was estimated that the astronaughts that traveled to the moon and back were about 3 seconds younger after they returned to Earth than everyone else on the planet. I may have that figure wrong but it’s still REALLY FREAKIN' COOL!)

THAT’S why nothing can travel faster than the speed of light. (I told you I’d get to it.) Once you’re speed begins to approach 186,000 miles per second, your time slows down more and more, and your weight increases more and more. Eventually your time STOPS all together, and your weight is infinite.(You weigh more than the entire universe.) In other words: BIG STOP SIGN.

I can’t truly express how unbelievably inspiring this information is to me. That a hundred years ago, a patent clerk could figure this shit out ON HIS OWN, with no more than a pad and pencil fills me with a sense of humility, awe and reverence. Who needs water into wine when you have relativity? And get this- IT’S TOTALLY REAL!

So. What the fuck does this have to do with Interrobang?!

Well- I really like the idea of flexible time (?) and constant speed (!). Those concepts are so inherently incongruous with what we experience on a day to day basis that their temerity is unbelievable and inspiring. Question mark, exclamation point.

I started writing the songs for Interrobang during the winter of 2005. I saw a documentary on the band They Must Be Giants and was inspired by their endless drive and creativity. (constant speed, indeed…) I wasn’t really familiar with their work, and often found their vocals to be nasally annoying. Something came across in this film however that demonstrated their earnestness and drive. It really inspired me. (I’ve subsequently become a big TMBG fan. Better late, eh?…) Right after viewing the documentary I wrote down:

“I hate my hair, I hate my voice.”

This was the first line written for the record, and in deep, deep, DEEP (we’re tawkin’ deep) haiku like fashion revealed to me the direction the album would take. It would be a much more personal record; this time turning my observational vitriol inward at myself, instead of outward at late night purveyors of god, false panaceas and Spaneck Vertical Roasters. I would also consciously try to write when the muse punched me in the face, and not save up notebooks full of ideas and sketches, waiting until “composing time” to distil and formulate the snipets into songs. The tunes were often written in single stretches, with minimal editing and rewriting, all in faux western “suiboku-ga” style.

I hesitate to talk about the songs individually as I’ve done on previous liner notes, because I feel that the they can and should speak for themselves. From disappointment and resignation, to observation and elation, I think the songs on Interrobang are some of my most earnest. I see the first 30 minutes of the record as a Geology suite (with one brief detour) that reflects on the both doubtful and assured nature of my psyche.

[Man it’ so easy to start sounding like a pretentious asshole when you talk about stuff like this… Do I think that my duality is anything special? Fuck no. I know that the reason bullshit psychic prognosticators and profilers are seen by so many as accurate, is because they TREASURE the dual aspect of human nature. These fuckers rely on knowing that humans can be both the most noble AND the most savage of creatures (often within the span of a single commercial break) and that this duality makes it very easy to cast a broad net of “statements” (i.e. guesses) that are often seen as “accurate” (i.e applying to EVERYONE). Fuckers… Anyway… No, I ain’t special.]

While listening, keep in mind the idea of question and resounding answer, as well as the flexibility of time and constant speed. Now I know that this self-revelatory thread doesn’t carry through every single tune (hey, I gotta have at least ONE song about interesting fauna) but I think overall it’s about as confessional and personal as I get. But hey: don’t you assume you really know me.


Donna and Slau make this recording possible.
Science, the wonder of the Universe, and the inspiring musicians, songwriters, authors and moviemakers of my never ending childhood make the songs possible.
Thanks everyone.

I guess I will stay.

credits

released February 10, 2006

Written, performed and produced by George Hrab

Recorded and mixed June/July 2005 at BeSharp Studios, Astoria, NY.

Solo Album?! Hardly...

Additional vocals on Sciurus Carolinensis,
She Suffers From Superlatives and keys
during the guitar solo on Blue Genes: Slau Halatyn

Recording studio: BeSharp Studios
masterfully engineered by Slau Halatyn

Design: Sheer Brick Studio
brilliantly designed and executive produced
by Donna Mugavero

Guitar tone assemblage and advice:
Tom Sweeney

Studio Hospitality: Audrey Farolino

"Nuts!" on Sciurus Carolinensis: Joey Halatyn

Original lyric concept for Barney's in the Vent: Stephen Primatic

Geologic Orchestra: Eric Kenlin, Vinnie Puccio,
Ross Brown, Dale Gerheart, Steve Bridges,
Dave Painchaud, Larry Ogden, J.P. Cappiello,
Tom Sweeney, and Andy Kowal

Website and Geologic Chartage: Andy Kowal

Geologic Crew/B3 Babes:
Danielle Claudio, Kerry Fedigan, MarissabTinsley, Erin Kowal

Philadelphia Funk Authority: Gary Rivenson,
Andy Portz, Andy Kowal, MJ Burns, Dave
Burt, Dale Gerheart, Larry Ogden, Ross
Brown, Vinnie Puccio, Jill Gaudious

Montage: Nick Roberti, Adrian Pysariwsky,
Slau Halatyn

Most Dog: Oscar

Above and Beyond Support and Help:
Slau Halatyn, Donna Mugavero, Andy Kowal,
Danielle Claudio, Gail Brown, and the fabulous
Derek and Swoopy at skepticality.com

Initial Training: Eric Kenlin (Phys E.D.]

Training and Body Advisory: Mike Kramer
at American Hairlines Body and Soul

Photography: John Sterling Ruth Studio
(John Ruth and Erik Nelson]

Printing: Christmas City Printing
[Paul Marinelli and crew)

Eyeglasses: Fox Optical (Tim Fox and crew]

Gym: American Hairlines Body and Soul
(Dave, Dru and crew)

Coffee: Oh Alan (Alan Wood)

Chocolate: Chocolate Lab (Arlene Brockel)

Friday Afternoon Oasis: Moravian Cook Shop
(Thanks, ladies!)

Soup: Confetti Cafe (Nikki, Colleen and crew]

Pizza: Picasso Pizza (Biagio and crew)

Flowers: Custom Gift Baskets and Designs
(Maggie and Sue]

Daily Dog-Walk Rest Stop: E. Broad St. 7-11
(Vaipul Shah and crew]

Thanks, everyone…

All songs 2006 You Call That Music

THIS IS ALBUM NUMBER FIVE

license

all rights reserved

tags

about

George Hrab Bethlehem, Pennsylvania

George Hrab is a multi-instrumentalist, singer, songwriter, story teller, science advocate, producer, composer, & vigilant defender of the Theory of Gravity. He’s produced seven studio albums, 800 plus podcasts, two books, one concert DVD and is determined to keep making more and more stuff everyday. ... more

contact / help

Contact George Hrab

Streaming and
Download help

Redeem code

Report this album or account

If you like George Hrab, you may also like: